Hoffmeister explains, “We had to really make sure that this (the station) is far enough away that you would never be able to connect those two dots before you actually go down into the world of ...
” He continues, “We had to come up with a lighting scheme that would allow the audience to get a sense of the scale, whilst maintaining the illusion that it’s completely dark.”...
” That allowed Hoffmeister and his crew to mount a camera on the cart with a stabilized head and pulled it along. He adds, “There were a couple of sections where you could take the walls o...
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